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Critical listening how to#

Ear Training Drill #8: Pink Noise +/–12 dB x2.Time-Based Effects: Stylistic Approaches.Ear Training Drill 7: Program Material +/-12 dB.Ear Training Drill 6: Program Material +/-12 dB.

Ear Training Drill 5: Pink Noise -/+12 dB.

Ear Training Drill 4: Program Material -12 dB.

Evaluating Speakers/Amps: What to listen for.

Lesson 4: Final Audio Setup and Imaging/Panning Analysis

Ear Training Drill 3: Pink Noise -24 dB.

The Framework of the Mix: Song Structure.

Treating the Room: Diffusion Strategies.

Treating the Room: Absorption Strategies.

Treating the Room: Bass Trapping Strategies.

Lesson 3: Frameworks: Optimizing Your Listening Environment Exploring Song Structure

Ear Training Drill 2: Program Material +12 dB.

Lesson 2: Understanding Your Listening Environment

EQ Bands: Bandwidth, Boost/Cut, and Center Frequencies.

What is Sound? Frequency, Wavelength, and Period.

Optimize your listening setup into a more critical listening environment.

Identify techniques such as panning, alternate types and uses of reverb, delay, compression, phasing/flanging/chorus, and different types of distortion, distinguish between different instruments, pickups, miked versus direct acoustic and electric guitars, and what mixing approach might be most appropriate for your music.

Hear width and depth, frequency range, dynamics, and the different mix approaches used in various musical genres.

Critical listening how to#

Whether you are a recording musician looking to ready your music for CD, or an aspiring producer or engineer, you'll not only learn what elements are most important in a mix, what sort of arrangements you should be working towards, and how to optimize your mix to make your song as compelling as possible in the process, you'll open your ears up to a whole new level of critical listening and awareness. The course will also take you through the steps to turn your listening space into a more critical listening environment. Critical Listening 1 also explores various types of instruments and arrangements, distinguishing between Telecasters, Strats, and Les Paul guitars, single versus dual-coil pickups, direct versus miked acoustic and electric guitars, tremolo versus vibrato, Rhodes versus Wurlitzer electric pianos, and more. You'll learn to hear and identify techniques such as panning, alternate types and uses of reverb, delay, compression, phasing/flanging/chorus, and different types of distortion. Through weekly critical listening drills, analysis of classic recordings, and comparative studies of different styles of mixing, you'll learn to identify width and depth, frequency range, dynamics, and the different mix approaches used in various musical genres. Interdisciplinary Music Studies (Create Your Own Major).Music Composition for Film, TV, and Games.Electronic Music Production and Sound Design.Music Theory, Harmony, and Ear Training.